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王文生

王文生

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Wang Wensheng (aka heard)He was born in Handan in 1963.In 1986, graduated from Hebei Normal University Fine Arts Department and taught in this school.In 1989, he graduate...MORE>>

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The preface to the exhibition of Wang Wensheng's works


Text / Yin Shuangxi


 

Wang Wensheng's works based on the scenery and characters of the seaside break the dividing line between traditional figure painting and landscape painting, and express people in the natural scenery space with a strong sense of composition. The open space with profound attention, the horizon has become an important factor in the picture ofthe balance, the layout design in the pure pursuit of subtlety. The outline of the image is not clear, but in the gradual transition of color into the landscape.

 

The characters in the picture do not have a clear identity, the movement is natural,  relaxed and leisurelyin the sun, with a strong sense of the times. The tone of color adopts a relatively soft bright gray tone. The excellent color block strokes are quite prudent, showing the simple and implicit arrangement, and showing a gentle mind in the rigorous inner abstract structure.

 

Wang Wensheng's work is the traditional landscape painting Chinese edifying function, although he portrays life in a modern city atmosphere, but still has traditional Chinese painting in the natural scenery of the quiet and leisurely. Wang Wensheng is not a painter who good at displaying great social themes and literary plots. He is a lyrical painter who focuses on oil painting language charm and respects his own painting feelings.

 

In his works, we can see Barr Thys, later impressionist, Picasso and other artistic masters’ research, and see his respect for the history of oil painting, the perception and the sensitivity to the change of oil painting language. This makes his works with more oil painting context atmosphere, in the overall atmospheric summary, maintain the level of local delicate taste and imagination space.

 

The era of image based on replicating images is an era of erosive and challenging traditional vision. In such an era, the achievement and duty of painting is to resist the image and art stylization of the world. I hope that artists will face the world again in a modest manner, and get close to things in plain work. Only in this simple creative work, we are expected to cut into the secular image of the flamboyant and enter the real realm of cultural diversity of visual experience.

 

Wang Wensheng's paintings let us return to the visual experience and return to the intuitive experience. This is not only a return to the homeland in physical space and time, but also a return journey of the humanistic spirit. It shows the creative will and the strange vision in the conjunction of the eye and the hand, the heart and the object.